Tag: Wil Wright
Anyway. You may recall that we recently reviewed their latest album, Dying in Fast Forward, as well as the release show for it. We told you that it was possible to download their entire catalog at senryu.bandcamp.com. That was totally true, until now.
Not yet posted there is Laughing in Slow Motion, the companion disc to Dying in Fast Forward. But guess what! We have an early leak, which we’re giving away in its entirety, right here…almost now.
Basically the entire disc is a full on remixed version of Dying in Fast Forward. The songs are in the same order, but are newly reinterpreted and/or reconstructed by the likes of Alkaline, Frozen Cobra, Arrison Kirby, Little Red Lung and Agent15. Though I will state that it’s a near impossible task to trump the original, we’ll leave it to you to review it yourself.
And here are the tracks so that you can do just that…
MP3: “Poor Embarrassed Bird” – Senryu vs. Alkaline
MP3: “Shiver And Shine” – Senryu vs. Frozen Cobra
MP3: “Dying In Fast Forward” – Senryu vs. Arrison Kirby
MP3: “Jericho Ruins Everything” – Senryu vs. Little Red Lung
MP3: “Simulacra” – Senryu vs. Agent15
In the not too distant past, I reviewed Dying in Fast Forward, the new album from Senryu. Well, the other night, I had the pleasure of attending its release show at the Pilot Light in Knoxville. The night opened with Katie and The Bass Drums. It’s actually just one dude, and his incredibly humorous musical musings, which were usually relating to sex. Arrison Kirby played next. One patron of the evening described his electro/guitar music as “tropical disco,” though I can’t say I agree with this label. Finally, the boys we were all there to see, Senryu, took the stage. The crowd closed in.
Senryu entered the stage, donning a strange assortment of costumes and accessories. White lights shining up from their feet gave a bright, ethereal feel to the stage arrangement. Then, from the beginning to the end, they exploded. Granted, I’ve seen Senryu several times and would, frankly, expect nothing less from them. This time, however, the explosion was so well calculated that I swear there was an IED specialist on hand to see it through. (But maybe that was just Wayne Bedsoe.)
Most of the material performed was from the new release, as well as Pssst and The Guilty Party Rages On, the two full lengths that preceded it. Yet, it seemed there was something intrinsically different going on behind it all. Their upbeat, indie pop was certainly in tact. Surrounding and weaving within it, however, were moments of what sounded like prog rock. There also was epic abstraction in spots, slipping and sliding around the stage, but never cutting its umbilical cord from motherdrummer, Steven Rodgers.
Rodgers’ drumming is something that deserves a special mention here. Always precise and forward anyway, this evening left me in particular awe of his abilities. It wasn’t just that he could keep a beat, but that he could fire off a machine gun into that aforementioned explosion. So quick and direct, it boggled my mind at how he could fit so many nuances into any single moment.
Amidst and despite all of this, Senryu remains a strange paradox. They are a nationally touring band, who can certainly bring it with the best of them. Frontman, Wil Wright, is an incredibly gifted song writer and musician who is incredibly dedicated to his craft. There are few musical units out there who can touch this level of showmanship and ability. And yet, Senryu has still but only chipped away a relatively small bit of that proverbial glass ceiling, even though they hail from the same town as Bonnaroo creator, AC Entertainment. Don’t get me wrong. I’m sure they are quite capable of making their own way to where they ultimately need to be. Damn, though. If Ashley Capps, or some other industry mogul, would just spare a little bit of their own precious firepower for these kids, Senryu’s awesome explosion could just maybe evolve into total rapture.
Do yourself a favor and download Senryu’s entire catalog by clicking here.
The new album by Senryu is technically not going to be released until the night of their show on September 18th in Knoxville, TN. You know what, though? I already have a copy, suckers. So let’s get to it…
My first impression of this disc is that it’s coming from some place very minimalist. Yet it seems to carry a rather varied array of musical moments, just not at the same time. In any case, it’s certainly the most abstract and experimental Senryu disc to date. The space between the sounds is of particular importance here. While they started moving into that area with their last release, The Guilty Party Rages On, the notion of space becomes fully realized with Dying in Fast Forward. While I am certain the band (or at least frontman, Wil Wright) was aware of this dynamic shift, I must also credit the engineers, Mike Agentis and Aaron Thompson, for their keen sense of production. It is, indeed, not just the sounds, themselves, but the sound of the sounds.
Without being a full on emulation, the whole disc smacks particularly of Modest Mouse, with some of Montreal caulked in around the perimeter. Don’t get me wrong. It is intrinsically Senryu, which is its own very distinct thing. There is homage throughout, though, intentional or not, popping up and subsiding again. This is particularly documented in the single, “Shiver and Shine,” as well as “Jericho Ruins Everything.”
The closing track, “Simulacra,” begins as a Thom Yorke inspired electro-beat song before expanding into something lighter and dirtier. You really feel it, then suddenly it is gone. Gone with it is the entire disc. Clocking in at fourteen minutes, there is the inevitable desire for more. Especially with such an abrupt, yet elevated, end. The whole things works so well as a whole that, since you can’t have anymore, the natural response seems to be to just hit play again.
It’s certainly not a superficial listen. There is a lot going on, however subtly applied. Perhaps that is the gimmick of the whole thing. It takes multiple listens to really map it out in one’s head. It’s not catchy sing-along pop. It’s art. And if there is a structure underneath it all, it’s either meticulously dictated from phrase to phrase, or it’s haphazardly flung on to the canvass. If nothing else, the ambiguity of the process makes this a deep and interesting listen.
If you’re in the Knoxville, TN area on September 18th, come check out the release show…